Two weeks ago,
it was time to go to Como again, to get the autum/winter collection ready with
more autumnal and winter colours, textures and weaves.
I was welcomed in the region of Como by two very kind persons, Alessandra and Francesco.
Francesco had planned a visit of the Taroni silk mill, one of the oldest producers of silk. The visit started by meeting Michele Canepa, the owner of the company, who kindly received us.
I was welcomed in the region of Como by two very kind persons, Alessandra and Francesco.
Francesco had planned a visit of the Taroni silk mill, one of the oldest producers of silk. The visit started by meeting Michele Canepa, the owner of the company, who kindly received us.
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Taroni
mostly works with high end designers, such as Lanvin, Armani Couture and the
long list could continue. What makes them different is that they still use some
of the machinery they were using more than a hundred years ago. Michele
emphasizes the fact that Italian silk production was a national heritage and
savoir faire that the Italians had mastered over the decades.
After showing us fabrics they produced, I can tell you that I still remember the drape of the satins, the lightness of the crepe and the unique softness of the duchesse, this was a work of art.
We then started walking through the production process, from getting the thread ready, to the weaving, until the very end, quality control. It is rather hard to imagine how someone could create the machinery used to weave silk, and that from meters and meter of utterly thin thread, they end up creating such beautiful pieces.
After showing us fabrics they produced, I can tell you that I still remember the drape of the satins, the lightness of the crepe and the unique softness of the duchesse, this was a work of art.
We then started walking through the production process, from getting the thread ready, to the weaving, until the very end, quality control. It is rather hard to imagine how someone could create the machinery used to weave silk, and that from meters and meter of utterly thin thread, they end up creating such beautiful pieces.
Surprisingly enough, Michele is the brother of the owner of my supplier, and he
told me that even then I could not find fabric made for neckties in Taroni,
that I should keep working with my usual supplier. I take his words for it.
It was time
to head to my appointment with my main supplier, a few kilometers away. While
driving in the heart of the region of Lake Como, I could only admire the
scenery that was offered to me: blue skies, the greenest trees, warm colored
houses, and the still water of the magnificient lake itself.
I had the
great pleasure to meet Marcello again, still wearing his two knitted ties tied
together, his “marque de fabrique”, and sporting his most sincere smile, as he
always does.
After a few minutes walking, we were surrounded by alleys and alleys of silks, free to explore through the heart of Italian savoir faire.
When it
comes to building a collection, and choosing fabrics, I only trust my hands and
my heart. Choosing fabrics is all about feeling them, physically and
emotionally. I want them to offer the most beautiful shine, drape and softness,
as well as sharing emotions. That is why, when I go through all these fabrics,
I know which one should be used.
I will not
reveal the whole choice of fabrics yet, but you will find a very wide variety
of weaves and textures this time, with blends of silk, cashmere, wool, making
it more sophisticated and delicate.
Dear readers, your new collection will be available soon enough, when the proper autum and winter arrives.
Dear readers, your new collection will be available soon enough, when the proper autum and winter arrives.
